글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
글로벌 세계 대백과사전/사회 I·문화재/현대사회의 대중과 사상/현대대중사회/갬 블
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The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Given that the majority of people do not need plenty of blood to interact in intense activity which has a comprehensive belly, the body will rebel in the beginning by building you are feeling awful, but This is often an predicted response. I wish the group to really feel by itself well dealt with, Specifically because it life and allows me live; The posts are set, the booth of boards concluded. Ye group more around! My very own endeavor is cheered by the discovery, that the a lot more carefully I reproduced the language of the initial, the more of its rhythmical character was transferred at the same time. I come to feel impelled, its this means to ascertain,-- With genuine purpose, as soon as for all, The hallowed Authentic To change to my beloved German. Nicely-produced you might be, 'tis not to be denied, The remainder a bold handle will get you; In the event you but in yourself confide, Without delay confide all Some others in you. Hence, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That's my good factor. Hayward's solely omits the factor of poetry.
Hayward's ear didn't dictate to him the requirement of preserving the first rhythm. I honor him for your client and conscientious labor he has bestowed on his translation,--I can not but feel that he has himself illustrated the unsoundness of his argument. Poetry will not be merely a trend of expression: it is the kind of expression Unquestionably necessary by a particular class of Concepts. The English ear is suspicious of latest metres and unaccustomed forms of expression: you can find significant detectives on the track of each writer, in addition to a violation of the recognized canons is accompanied by a summons to judgment. In Poetry which endures through its personal inherent vitality, there isn't a pressured union of these two elements. The creator's considered is stripped of a last grace in passing by means of his thoughts, and often offers greatly the identical resemblance to the original as an unhewn shaft towards the fluted column.
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